Dave’s Gone By Skit: Rabbi Sol Solomon’s Rabbinical Reflection #148 (8/6/2017): Roger Waters

RABBI SOL SOLOMON’S RABBINICAL REFLECTION #148 (8/6/17): Roger Waters

(aired Aug. 5, 2017 on Dave’s Gone By. Youtube: https://www.youtube.com/watch?v=C60YhWtS73Y)

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Shalom Dammit! This is Rabbi Sol Solomon with a Rabbinical Reflection for the week of August 6, 2017.

Today, my friends, I go swimming in foul waters. Brackish waters. Roger Waters! The former head of Pink Floyd is now a solo artist with delusions of relevance.

Waters has long been critical of Israel’s position vis-à-vis the Palestinians. According to Mr. Stink Floyd, Israel is always the bad guy: occupying land, denying Palis of their rights, existing. And Waters has made no attempt to hide his contempt for the only democracy—and sometimes the only civilized society—in the Middle East.

Who can forget the 2010 Waters concert, where his animated set design included B-1 bombers dropping mogen davids? Or, worse, the 2013 concerts, where, instead of launching beachballs and t-shirts into the crowd, he sent an inflatable pig with a Jewish star on it hovering over bewildered baby boomers, who just wanted him to shut up and play “The Wall.” And that’s the problem in a nutshell—or a nutcase. People still want to hear his old music, so that gives Waters a huge platform for his babble.

I’ll even grant that he thinks he means well. To Roger Waters, Israel is a torture state, an oppressive regime that doesn’t let a bunch of poor, bedraggled Arabs blow themselves up in peace. He’s not against Israel, he says; he doesn’t hate Jews; he’s merely a rabid anti-fascist. Except for someone who supposedly has nothing against Hebes, Waters takes every opportunity to savage our homeland. He equates Benjamin Netanyahu’s acceptance of Jewish settlements on Jewish land with South Africa’s apartheid and feels both should be countered the same way. As such, Waters has become the poster boy for BDS. You know BDS: Bondage, Domination, and Stupidity. Or more officially: Boycott, Divestment, Sanctions against Israel. In other words, hurt Israel financially, and the Jews will just slink off into the Red Sea and let the Palestinians take over land that they’ll just turn back into desert.

At least BDS isn’t the usual Moslem protest. Instead of flying planes into office walls, they just want to build a commerce wall around Israel. As part of his responsibilities being the BDS butt boy, Roger Waters has called on other musicians to avoid Eretz Yisroel and cancel any concerts they have planned there. In response, Thom Yorke and Radiohead, bless their hearts, went to Tel Aviv and played their longest concert in eleven years. Now granted, even they equivocated: “Playing in a country isn’t the same as endorsing its government,” Yorke said in a statement. “We don’t endorse Netanyahu any more than Trump, but we still play in America.”

Well, okay, I’ll accept Radiohead’s defensive half over Pink Floyd’s ass whole. And lest we think Roger Waters is anything other than a Goebbels with a guitar, look no further than his interview with the blatantly anti-Israel CounterPunch magazine. Waters complained about the “extraordinarily powerful” Jewish lobby in America, which he says makes it hard for other musicians to back him in his fulminating foolishness. Waters also bitched about Israel’s “right-wing rabbinate” supposedly causing, quote “the ethnic cleansing and systematic racist apartheid Israeli regime.” Ethnic cleansing. Right. Because Arabs are systematically murdered by the Israeli government for no other reason than the towels on their heads. Sure. That they start riots, kill soldiers, and blow themselves to pieces in cafes has nothing to do with Israel’s distrust of their breed.

I’m not saying Israel is perfect, or that the Prime Minister is right about everything. After all, a couple of weeks ago I, myself, blasted Netanyahu for reneging on a plan to make a small bit of the Wailing Wall co-ed. But I also understand what Israel is up against: ongoing hostility from the very neighbors who should take in the miserable Palestinians but won’t. For 80 years, little Israel has made the best of a situation that the Arabs have consistently made worse.

And Roger Waters? He won’t play Milk and Honey City? Let’s take a look at the schedule for his 2002 world tour, shall we? We shall. Let’s see, he started in South Africa in February. Well, there’s a country with a glorious history of justice. Oh, and then he moved on to Chile—no problems there. Argentina, which at the time was run by that bastion of morality, Carlos Menem. Let’s see…Brazil (where I’m sure Waters felt at home with the other Nazis), Venezuela (ditto), Mexico (because drugs and rock and roll do mix), Japan—because hegemonic nationalism was never an issue there. Oh, and then it was off to Beirut. Uh huh. And Moscow and Warsaw and Munich and Frankfurt and Stuttgart and Oberhausen and Vienna. Because when have Germany and Austria ever had a race problem?

A million times I have said that Israel is a Jewish state, and it is also a teeny-weeny state, so if the Palestinians don’t like living there, they should gas up their camels and move to any other Arab country that would have them. Which is, of course, none. Which is the real tragedy that putzes like Roger Waters, Susan Sarandon, Amy Goodman, and Javier Bardem never acknowledge. There is no occupation. There is a miniscule Jewish country that every Arab wants to level, and when the Jews fight back, or get strategic with blockades, the lefties wring their hankies and blame the good guys.

If I sound especially grim and intolerant, understand that I am writing this only a couple of days after three Israelis were stabbed to death by Palestinians in the West Bank, and a day after Arabs attacked the Israeli embassy in Jordan. Why the violence? The Palis were pissed off because Israel put in metal detectors by the Temple Mount. That started a riot, and three Arabs were shot by Israeli police. Yes, using deadly force against rioters is unfortunate, but over metal detectors? Something designed to keep everybody safe no matter what the religion? When I go in an airport, I’ve gotta take off my coat, my shoes, my belt, my watch. It’s a pain in the ass, but do I riot? No. And let’s not forget the reason we all have to get naked at JFK in the first place: the Arabs!

So Roger Troubled Waters, feel free to stay away from Israel. Plenty of bands who have actually made good music over the past forty years will take your place. And if you want to be the change you hope to see in the world, howsabout looking in the mirror? You were in Pink Floyd where the lead songwriter turned into an insane recluse, and the guy who replaced him can’t get along with you. You’ve been married four times—and divorced four times. And you’re an atheist, so even God has washed his hands of you.

You are the Pooper at the Gates of Dumb. You are the Atom Heartless Motherfucker. You’re the Dark Side of the Moron. The Final Cunt. A More-Than-Momentary Lapse of Reason. All in all, you’re just another Prick in the Wailing Wall, and I wish you weren’t here.

This has been a Rabbinical Reflection from Rabbi Sol Solomon, Temple Sons of Bitches, in Great Neck, New York.

(c) 2017 TotalTheater. All rights reserved.

https://davelefkowitzwriting.wordpress.com/2021/03/05/non-fiction-essay-humorous-rabbi-sol-solomons-rabbinical-reflection-148-8-6-17-roger-waters/

Dave’s Gone By Interview (7/22/2017): PETER YARROW & Rabbi Sol Solomon

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Rabbi Sol Solomon chats with musician Peter Yarrow

Topics include: Peter Paul & Mary, politics, Judaism.
Segment airs July 15, 2017 as part of the “Dave’s Gone By” radio program hosted by Dave Lefkowitz.

Note: Farewell to our Friend of the Daverhood, Peter Yarrow, who passed Jan. 7, 2025 at age 86.

Please Note: Segments extracted from “Dave’s Gone By” may have music and other elements removed for timing and media re-posting considerations. For the full interview with all elements, please visit the audio of the complete original broadcast.

All content (c)2017 TotalTheater Productions.

More information on Dave’s Gone By: http://www.davesgoneby.com
More information about Rabbi Sol Solomon: http://www.shalomdammit.com

Dave’s Gone By Interview (2/4/2017): ALLEN LEWIS RICKMAN & Rabbi Sol Solomon

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Rabbi Sol Solomon interviews actor Allen Lewis Rickman

Topics include: Yiddish, Alan Rickman, Coen Brothers, A Serious Man, Steve Sterner.

Segment aired Feb. 4, 2017 as part of the “Dave’s Gone By” radio program hosted by Dave Lefkowitz.

Please Note: Segments extracted from “Dave’s Gone By” may have music and other elements removed for timing and media re-posting considerations. For the full interview with all elements, please visit the audio of the complete original broadcast.
All content (c)2017 TotalTheater Productions.

More information on Dave’s Gone By: http://www.davesgoneby.com
More information about Rabbi Sol Solomon: http://www.shalomdammit.com

Dave’s Gone By #592 (2/4/2017): RICKMAROLE

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Here is the 592nd episode of the long-running radio show/podcast, Dave’s Gone By, which aired on UNC Radio, Feb. 4, 2017. Info: davesgoneby.com.

Host: Dave Lefkowitz
Guests: actor Allen Lewis Rickman, Dave’s wife Joyce

Featuring: Rabbi Sol Solomon chats with actor Allen Lewis Rickman (“A Serious Man”). Plus: Inside Broadway, Greeley Crimes, Old Times, & Fraccidents; Saturday Segues (In the News, Stephin Merritt), Bob Dylan – Sooner & Later.

00:00:01 DAVE GOES IN w/ Joyce (pig pen, comedian movie titles, respect, ribs!)
00:47:30 Sponsors
01:02:00 GREELEY CRIMES, OLD TIMES & FRACCIDENTS
01:40:00 SATURDAY SEGUE – Stephin Merritt
02:00:00 INSIDE BROADWAY
02:12:00 GUEST: Rabbi Sol Solomon interviews Allen Lewis Rickman
02:54:00 BOB DYLAN – Sooner & Later
03:25:30 Friends
03:33:00 Sponsors
03:35:00 SATURDAY SEGUE – In the News
04:01:30 Weather
04:04:30 DAVE GOES OUT

Feb. 4, 2017 Playlist: “Vocabularry – Ball” (00:07:30). “Beds are Burning” (00:57:30; Midnight Oil). “Wild Wild West” (01:26:00; Kool Moe Dee). “The Message” (01:32:00; Grandmaster Flash & The Furious Five). “The Sun Goes Down and the World Goes Dancing” (01:43:00), “Irma” (01:45:30), “I Don’t Believe You” (01:51:00) & “Quick!” (01:55:00). “Poppyland” (01:48:00; Stephin Merritt). “1984” (02:09:00; David Bowie). “I Could have Told You” (03:01:30; Bob Dylan). “I Could have Told You” (03:05:00; Frank Sinatra). “The Times They are a-Changing Back” (03:09:30; Billy Bragg). “It’s All Over Now, Baby Blue” (03:13:30; The Grateful Dead). “Banned from the End of the World” (03:36:00; Sleater-Kinney). “T.V. Football” (03:38:30; Bill Cosby). “Machete” (03:39:30; Moby). “Berkeley Girl” (03:43:00; Harper Simon). “Do You Want to Dance” (03:46:30; Bobby Freeman). “Dream Seller” (04:09:00; Melanie).


(pictured above: Allen Lewis Rickman, Stephin Merritt, ribs!)

Dave’s Gone By #590 (1/21/2017): THE VELVEL UNDERGROUND

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Here is the 590th episode of the long-running radio show/podcast, Dave’s Gone By, which aired on UNC Radio, Jan. 21, 2017. Info: davesgoneby.com.

Host: Dave Lefkowitz
Guests: Jewish musicologist Velvel Pasternak, Dave’s wife Joyce

Featuring: Rabbi Sol Solomon interviews musicologist Velvel Pasternak. Plus: Inside Broadway, Greeley Crimes, Slimes, & Old Times, Bob Dylan – Sooner & Later (cafe), Saturday Segues (Richie Havens, In the News).

00:00:01 DAVE GOES IN w/ Joyce (klezmer, indiegogo, rimshots, executions)
00:32:00 GREELEY CRIMES, SLIMES, & OLD TIMES
00:56:00 Weather
00:59:00 MORE GREELEY CRIMES, SLIMES, & OLD TIMES
01:27:00 SATURDAY SEGUE – Richie Havens
01:47:30 Sponsors
01:50:30 INSIDE BROADWAY
02:15:00 GUEST: Rabbi Sol Solomon interviews Velvel Pasternak
03:00:00 BOB DYLAN – Sooner & Later (cafe)
03:19:30 Friends
03:27:00 SATURDAY SEGUE – In the News
03:54:30 Weather & Thanks
03:58:30 DAVE GOES OUT

Jan. 21, 2017 Playlist: “Fire Meet Gasoline” (00:39:00; Sia). “Ma Durga” (01:17:00; Krishna Das). “Morning, Morning” (01:32:00), “Dog in the Quicksand” (01:39:30) & “There’s a Hole in the Future” (01:43:30; Richie Havens). “The Long Road” (01:34:30; Cliff Eberhardt w/ Richie Havens). “Top Hat, White Tie, and Tails” (02:08:30; Fred Astaire).”Nigun Rikud” (02:13:00), & “Ki V Simcho” (02:56:30; Chabad Nigunim). “Sign Language” (03:02:30; Eric Clapton w/ Bob Dylan). “One More Cup of Coffee” (03:05:30; Iridescence). “Up to Me” (03:09:30; Bob Dylan). “Ireland” (03:28:00; Greg Trooper). “Je veux vivre dans” (03:32:00; Romeo et Juliette w/ Roberta Peters). “The Circus is in Town” (03:36:00; Patton Oswalt). “Hotter than That” (03:40:00; Louis Armstrong). “San Miguel” (03:43:00; Lonnie Donegan). “Happy Birthday” (04:01:00; Weird Al Yankovic).

Velvel Pasternak
Richie Havens

(pictured: Velvel Pasternak, Richie Havens, Caffe Lena.) 

Dave’s Gone By Interview (11/5/2016): JEN COKEN & Rabbi Sol Solomon

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a1Rabbi Sol Solomon interviews comedian & life coach Jen Coken

Topics include: life coaching, Judaism.

Segment aired Nov. 5, 2016 as part of the “Dave’s Gone By” radio program hosted by Dave Lefkowitz.

Please Note: Segments extracted from “Dave’s Gone By” may have music and other elements removed for timing and media re-posting considerations. For the full interview with all elements, please visit the audio of the complete original broadcast.
All content (c)2016 TotalTheater Productions.

More information on Dave’s Gone By: http://www.davesgoneby.com
More information about Rabbi Sol Solomon: http://www.shalomdammit.com

Dave’s Gone By #571 (8/20/2016): NAD TO THE BONE

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Here is the 571st episode of the long-running radio show/podcast, Dave’s Gone By, which aired on UNC Radio, Aug. 20, 2016. Info: davesgoneby.com.

Host: Dave Lefkowitz
Guest: entertainer Mark Nadler

Featuring: Rabbi Sol Solomon chats with entertainer Mark Nadler; Inside Broadway, Saturday Segues (Robert Plant, Fyvush Finkel); Bob Dylan – Sooner & Later (Slow Train); Dave Goes Off (Whatever Happened to Normal News?).

00:00:01 DAVE GOES IN (school’s in from summer, fyvush)
00:26:30 Sponsors
00:29:30 DAVE GOES FURTHER IN (first fatality, school zones)
00:43:00 SATURDAY SEGUE – Robert Plant
01:17:00 INSIDE BROADWAY
01:38:00 GUEST: Rabbi Sol Solomon interviews Mark Nadler
02:32:30 BOB DYLAN – Sooner & Later (Slow Train)
02:57:00 Friends
03:06:00 DAVE GOES OFF – Whatever Happened to Normal News?
03:26:00 SATURDAY SEGUE – Fyvush Finkel
03:43:30 Coming Soon
03:46:00 Weather
03:52:30 DAVE GOES OUT

Aug. 20, 2016 Playlist: “The Rain Song” (00:50:00) & “Kashmir” (01:03:30; Led Zeppelin). “Please Read the Letter” (00:58:00; Robert Plant & Alison Krauss). “Live by the Hook” (Finding Neverland 2014 Broadway cast w/ Matthew Morrison & Kelsey Grammer). “I Got Rhythm” (01:39:00) & “I Love a Piano” (02:26:30; Mark Nadler). “Man Gave Names to All the Animals” (Bob Dylan). “I Believe in You” (02:44:00; Cat Power). “Gotta Serve Somebody” (02:48:00; Mavis Staples). “I am the Swag” (02:59:30; Art Paul Schlosser). “It’s Never Too Late” (03:31:00), “The Finkel Salsa” (03:53:30) & “Abi Tsu Sein (As Long as I’m with You)”(03:38:30; Fyvush Finkel). “The School Boy” (03:55:00; Allen Ginsberg).

(pictured: Mark Nadler, Robert Plant, Fyvush Finkel, Dylan’s Slow Train Coming)

Dave’s Gone By #558 (5/21/2016): BRODY TO THE MAX

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Here is the 558th episode of the long-running radio show/podcast, Dave’s Gone By, which aired on UNC Radio, May 21, 2016. Info: davesgoneby.com.

Host: Dave Lefkowitz

Guest: humorist Dylan Brody, Dave’s wife Joyce.

Featuring: Rabbi Sol Solomon interviews humorist Dylan Brody. Plus: Inside Broadway, Greeley Crimes & Old Times, Saturday Segue (In the News), Bob Dylan – Sooner & Later (fallen angels).

00:00:01 DAVE GOES IN w/ Joyce (shiva TV, wasp nest, new Dylan, 120, fish vs. meat, Carvel)
00:45:00 GREELEY CRIMES & OLD TIMES
01:17:00 DAVE GOES FURTHER IN w/ Joyce (Smelterites)
01:23:30 SATURDAY SEGUE – In the News
01:50:00 Sponsors
01:52:30 INSIDE BROADWAY
02:14:00 GUEST: Rabbi Sol Solomon interviews Dylan Brody
03:20:30 Sponsors
03:23:00 BOB DYLAN – Sooner & Later (fallen angels)
03:41:30 Friends
03:52:00 Weather
03:53:30 DAVE GOES OUT

May 21, 2016 Playlist: “4th and Vine” (01:24:30; Sinead O’Connor). “Airport Security” (01:28:00; Lewis Black). “Sue Egypt” (01:33:30; Captain Beefheart). “Mr. Ed Theme” (01:36:30; Jay Livingston). “Elegance” (02:10:00; Hello, Dolly! 1964 Broadway cast). “Heisenberg” (02:13:00), “Revolution 1” (03:14:00) & “Waiting Here” (03:15:00; Dylan Brody). “Polka Dots and Moonbeams” (03:25:00), “All the Way” (03:29:30) & “It Had to Be You” (03:33:00; Bob Dylan). “We’re Gonna Get Married” (03:56:00; Randy Newman).

Dylan Brody
Bob Dylan’s Fallen Angels

Dave’s Gone By Interview (5/21/2016): DYLAN BRODY & Rabbi Sol Solomon

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Rabbi Sol Solomon interviews humorist Dylan Brody

Topics include: comedy, Paul Provenza, depression, Judaism, religion, Steve Allen, George Carlin, Garry Shandling, Robin Williams.

Segment aired May 21, 2016 as part of the “Dave’s Gone By” radio program hosted by Dave Lefkowitz.

Please Note: Segments extracted from “Dave’s Gone By” may have music and other elements removed for timing and media re-posting considerations. For the full interview with all elements, please visit the audio of the complete original broadcast.

All content (c)2016 TotalTheater Productions.

More information on Dave’s Gone By: http://www.davesgoneby.com
More information about Rabbi Sol Solomon: http://www.shalomdammit.com

Dave’s Gone By Skit: RABBI SOL SOLOMON’S RABBINICAL REFLECTION #138 (4/24/2016): SHMURA MATZOHS

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RABBI SOL SOLOMON’S RABBINICAL REFLECTION #138 (4/24/16): Shmura Matzohs

aired April 23, 2016 on Dave’s Gone By. Youtube clip: https://youtu.be/9e-dOyy_cQA

Shalom Dammit! This is Rabbi Sol Solomon with a Rabbinical Reflection for the week of April 24, 2016.

Among the great inventions of mankind are the wheel, the lever, the polio vaccine, and the computer microchip. But let’s not leave out one of my favorite all-time creations. Something so simple yet so perfectly imperfect. Something both great and crummy — pun intended.

You take flour and water, mix them together, roll it flat flat flat—flatter than a ten-year-old’s training bra—poke the dough with tiny holes, and push it into a super-hot, dry oven. After a couple of agonizing minutes, shazam! Matzoh! Somehow, this flour-and-water combo doesn’t turn into pita bread, it doesn’t become olive loaf, it doesn’t blossom into a Pepperidge Farm cookie. It just stays matzoh, and that’s good enough for me. Almost.

See, you can get Streit’s or Horowitz-Margareten or Manischewitz and other commercial brands of matzoh, and they’ll get you through the Passover holiday just fine. You make matzoh brei, where you dip it in egg; you can crumble it and make matzoh-meal pancakes, which iHop would not be remiss in adding to their international breakfasts. Dear God, they make chocolate-covered matzoh, which sounds gross, but hey, if they can do it with crickets and bumble bees, why not the bread of affliction? (Chocolate-covered matzoh is not to be confused, by the way, with chocolate matzoh, which is just a giant chocolate bar made into the shape of a matzoh. In other words, a thousand times better. Chocolate-covered matzoh is to chocolate matzoh as a gold-plated watch is to a Rolex. If you promise your grandchildren chocolate matzoh, but you give them the chocolate covered, don’t expect them to visit you in the nursing home years later.)

But I digress. Matzoh is a tasty, non-nutritional but sustaining food meant to remind us of the bread our ancestors ate when they high-tailed it out of Egypt. `Cuz when you’re leavin’ hasty, you ain’t got time for pastry.

However, my reflection today is not just about matzoh; it’s about a special version of matzoh. The platinum standard, if you will. And I will. When I’m conducting a seder, or kicking back watchin’ baseball during chol hamoed, I want me some shmura matzoh! That’s the stuff! That’s the bread of affection! It’s the same flour and water, the same procedures. But with shmura matzoh, the harvested grain is guarded from the very first second it’s plucked to the moment the Rabbi slides it and its compadres out of the oven.

Shmura matzoh is the ultimate homemade bread. No machines, no slicer cutting the edges into right angles. No opening a box where every piece looks like a ceiling tile in a suburban office. Shmuras are individually mixed, rolled, and baked. And they don’t look beautiful or symmetrical. They’re lumpy, they’re brittle, often overcooked, and the burnt parts are all over the place. In fact, shmura matzohs are so ugly, they could replace Harriet Tubman on the $20 bill.

But oy my God, are they delicious! There’s something so real and so pure about them. Everything else you get in the store is machine-pressed, dye-cut, flushed with preservatives, and so far away from actual food, you’re not even sure what the hell you’re eating. With shmura matzoh you taste three things: flour, water, and Rabbi sweat.

Now there’s all sorts of hoo-ha/doo-dah rules about using shmura matzohs. You’re supposed to eat them only at the seder and no other time — not even the rest of the holiday. I’m sorry, but at $17 a box with six pieces of bread in it, I’ll eat it on Christmas if I want to. Also, since the matzoh is utilized during the seder ceremony — including breaking it for the afikomen, the bread has to be complete, unbroken. You think it was tough for the Jews to cross the Nile out of Egypt? Try getting a one-millimeter cracker from a Brooklyn factory to a Staten Island dinner table without having a few oopsies.

Still, it’s worth it because shmura matzohs are the bomb. Yes, they’re impossible to butter, and they don’t actually break in half; they splinter — leaving shards of crumbs everywhere you look. But I don’t care; their deliciousness trumps all. I mean, on Passover, we have to eat raw horseradish, and then we have to take yummy charoset and ruin it by mixing it with horseradish, and then for eight days: no pizza, no pretzels, no ravioli, no danish, no muffins, no waffles, no wafers, no hoagies, no heroes, no oatmeal, no beer. So if I want a piece of homecooked unleavened bread that looks like a manhole cover but tastes like Judaism, I will seek no further than shmura matzohs. Mmm mmm flavorless — and I wouldn’t have it any other way.

This has been a Rabbinical Reflection from Rabbi Sol Solomon, Temple Sons of Bitches, in Great Neck, New York. A zissen Pesach to ya.

(c) 2016 TotalTheater. All rights reserved.