Dave’s Gone By Skit: RABBI SOL SOLOMON’S RABBINICAL REFLECTION #63 (4/14/2013): Jew in a Box

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RABBI SOL SOLOMON’S RABBINICAL REFLECTION #63 (4/14/2013): Jew in a Box

Aired April 14, 2013 on Dave’s Gone By. Youtube clip: http://youtu.be/r95LRvs7oUk

Shalom Dammit! This is Rabbi Sol Solomon with a Rabbinical Reflection for the week of April 14th, 2013.

What’s even creepier than a jack-in-the-box? A Jew-in-a-box. What’s creepier than a Jew-in-a-box? A Jew in a box in a museum in Germany. No, they’re not doing a revival of “Man in the Glass Booth” – though they should, because I hear Gilbert Gottfried is available. No, instead, the Jewish Museum in Berlin – I know, Berlin is a Jewish Museum, or is that mausoleum? – anyhow, the Jewish Museum of Berlin has an exhibit about Jews called “The Whole Truth.” And they’ve got funny yarmulkes and displays about Kosher cooking and circumcisions – hopefully not the same display.

But the exhibit garnering the most attention and controversy – to the point that the New York Times featured it last week – was of a live Jewish man sitting in a glass box. This young man sits on a little cushion, takes questions, and is just observed by visitors to the museum. Responses to this bit of performance art ranged from whimsical appreciation to scoffs about bad taste. One woman said her ancestors spent enough time in German boxcars, she didn’t need to see a living Jew in a terrarium.

I am mostly on the side of the museum in this. I’m for anything that rubs the Germans’ faces in Forties. But the exhibit also asks a legitimate question: after the Holocaust and the near-annihilation of every Jew in the region, how does the country respond to a new crop of Yiddlach living and working in their midst?

You might ask: Rabbi, aren’t you shocked by the idea of displaying a middle-class Jew in a Lucite case, or, as one might call it, Peasant Under Glass? The answer is no. Every other city has a Holocaust museum now. Pretty soon they’ll have drive-in McDachaus. So to make an impact, you need to do something startling and transgressive. Let’s not forget, the Shoah began in earnest on Kristallnacht – the night of broken glass. So putting a Jew behind glass has a little bit of the “nyah nyah nyah nyah nyah, you can’t get me” about it.

More importantly, though, isolating the Jewish person this way makes a statement about how people of any culture view outsiders. Pass by a bum sleeping on the streets of New York; how do you look at him? Kind of like a tarantula in a zoo exhibit. It’s ugly, unsettling, fascinating from a distance, but you wouldn’t want to find it in your bathroom. Go look at the crowds in San Francisco’s Chinatown. If you’re Chinese, they’re kin; if you’re not Chinese, it’s like watching ants. Well, slant ants. And how do WASPs look at Somalian workers in Colorado? The same way Jews look at shiksehs in Loehmann’s. Aliens among us.

Put another way, we’re all living under someone else’s glass box. Say you’re a stranger knocking on my container, and you say, “Hi. Tell me about yourself.” We might start talking and sharing experiences until – gasp, great revelation – you’re just like me, and I’m just like you – well, maybe not exactly like you because I have a foot fungus thing that my dermatologist is checking into, but other than that . . .

I do think the Jewish Museum in Berlin missed an opportunity with “The Whole Truth” if they’re trying to display an average Jew. For sociological purposes, why not put the Hebrew in his natural habitat? Don’t plunk him in a sterile cube, show him in a delicatessen asking for more coleslaw. Show him at an Orioles game deciding whether to go to the bathroom at the bottom of the sixth or wait till the seventh-inning stretch. 

Show him at a Young Israel mixer deciding whether the girl with the diet Coke is worth dancing with or should he take a run at the skinnier chick who’ll probably shoot him down but just might be on the rebound and therefore needy. These are the true quandaries facing Jews in the modern age.

Should the museum ever ask me, I would be happy to participate in their exhibit, even in the glass box. Just give me a plate of herring, a Dr. Brown’s cream and a five-ounce nasal spray, and let the young Berliners come. If they ask me, “What is it like being a Jew in today’s Germany?” I would just say, “Wouldn’t your great grandparents like to know.”

This has been a Rabbinical Reflection from Rabbi Sol Solomon, Temple Sons of Bitches in Great Neck, New York.

(c) 2013 TotalTheater. All rights reserved.

–> https://davesgoneby.net/?p=28989

Dave’s Gone By #419 (4/13/2013): CREATIVE WHITING

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Here is the 419th episode of the long-running radio show/podcast, Dave’s Gone By, which aired on UNC Radio, April 13, 2013. Info: davesgoneby.com.

Featuring: Rabbi Sol Solomon chats with Margaret Whiting’s daughter, Debbi Whiting. Plus: Rabbi Sol on the Berlin Jewish Museum’s “Jew-in-a-Box” exhibit, Bob Dylan – Sooner & Later (Russia), Inside Broadway and Saturday Segues (Farewells, Jonathan Winters)

Host: Dave Lefkowitz

Guest: Debbi Whiting, Dave’s wife Joyce

00:00:01 Pre-show Intro
00:04:00 DAVE GOES IN w/ Joyce
00:15:00 SATURDAY SEGUE – Farewells (Margaret Thatcher, Andy Johns, Annette Funicello).
00:57:00 Sponsors
01:01:30 INSIDE BROADWAY
01:21:00 GUEST: Rabbi Sol Solomon & Debbi Whiting
02:19:30 Friends
02:29:00 NEWS GONE BY
02:36:30 RABBI SOL SOLOMON’S RABBINICAL REFLECTION #63: Jew-in-a-Box
02:43:00 BOB DYLAN – Sooner & Later (Russia)
03:08:00 DAVE SAYS BYE – Jonathan Winters
03:15:00 DAVE GOES OUT

April 13, 2013 Playlist: “Torn and Frayed” (00:17:00; The Rolling Stones). “Tramp the Dirt Down” (00:21:30; Elvis Costello).”Elevation” (00:27:00; Television). “Bring Back Those 50s” (00:32:00; Robert Klein). “The Dry Cleaner from Des Moines” (00:35:00; Joni Mitchell). “Jamaica Ska” (00:39:00; Annette Funicello & Fishbone). “One Rainy Wish” (00:43:00; Jimi Hendrix). “Merry Christmas Maggie Thatcher” (00:46:30; Billy Elliot 2005 original cast). “Friends” (00:50:00; Led Zeppelin). “Once Upon a Dream” (01:16:00; Jekyll & Hyde, 1997 Bway cast w/ Teal Wicks). “My Cup Runneth Over” (01:19:30), “Here to Stay” (01:29:00), “Until it’s Time for You to Go” (01:45:00), “Till We Meet Again” (01:54:30), “Wheel of Hurt” (02:04:00) & “Nothing Lasts Forever” (02:15:30; Margaret Whiting). “Hello Muddah, Hello Fadduh” (01:35:30; Allan Sherman). “Ye Shall Be Changed” (02:47:00), “Talkin’ John Birch Paranoid Blues” (02:50:00) & “When Ya Gonna Wake Up” (02:57:30; Bob Dylan). “With God on Our Side” (02:53:30; Barb Jungr). “Leave Your Name & Number #2” (03:02:30), “The Zoo (Elephant)” (03:03:00), “Grandpa Beloncort (Calling About Dying)” (03:03:30), “Allen Bresler (Forest Lawn”) (03:06:30) & “Old Folks” (03:19:00; Jonathan Winters).

Debbi Whiting
Margaret Whiting
Jack Wrangler & Margaret Whiting
Annette Funicello
Jonathan Winters
Jew-in-a-Box
Andy Johns
Margaret Thatcher